This page is devoted to the Production

The Last Song Of John Profitt.

Click on an image to zoom in and view at higher resolution. Description LSoJP
Production Data
John Profitt is a hermit. He lives in a small cabin on a side of a hill overlooking the Ohio River. Written by Tommy Thompson
Directed by Susan Gregg
Scenery by Susan

Lighting by Jeremy Kumin
Produced by Broadway Preview Series
NCSA Arena Thrust Theatre: Winston-Salem, NC
1990

Red Clay Rambler Tommy Thompson created this one man show to tell the story of John Profitt, a fictitious Vaudvillian whose lifestory captures some fascinating and little known details of Americana.

When we meet him, John Profitt is a hermit living in a small cabin in the woods surrounded by his handiwork in wooden toys and trinkets, and occasionally strums the banjo which was once his key to fortune and fame. He and his former partner, the man who took credit for writing the song "Dixie," although it was really a traditional song passed down thru generations of slaves before he appropriated it, had spent some years performing as minstrels in blackface. Then our narrator retired from this lucrative business becuase of a guilty conscience. He tells us of the regret he came to feel for what came off as mocking his adopted culture, taught to him by a former slave and later Master Cabinet Maker. As a white apprentice, he had worked for Jake and learned learned not just the woodworking trade but also how to play the gourd based, stringed instrument whose secrets Jake had brought with him from Africa. The entire production is laced with songs that are original ones by Thompson, and traditional melodies from the Ante-Bellum South. Accompaniment was provided by the nonspeaking character of the fiddler, who was fellow Red Clay Rambler Clay Buckner.


In his yard are the souvenirs of a lifetime spent woodworking, making "wind-ducks and whirligigs" as well as the banjos he used to play. The Autumn was an essential presence we attempted to capture with both leaves on the stage and heavily textured lighting that felt characteristic of that time of year.
When night falls the cabin is an oasis of warmth.
Compelled to show us what Minstrelsy on the Vaudeville stage was like, he transports us there in our imagination, and the lights shift to a new look. Inspired by garish footlights, it features a greenish tint that evokes that bygone era, and coincides with the culmination of his cathartic retelling of his life story.

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This document was created June 20, 1998.

This page, these photos, and all other contents are ©1996 Jeremy Kumin. Persons copying them or making other use without permission may be subject to penalties, fines, and in extreme cases imprisonment in the Guest Suite of the Tower of London.